History of Music Jazz

Jazz (Jes) is a genre of music that originated in the United States early in the 20th century with the roots of African and European music.
Use a lot of jazz guitar, trombone, piano, trumpet, and saxophone. An important element in jazz is the blue notes, improvisation, polyrhythms, syncopation, and shuffle notes.
A.DEFINISI MUSIC JAZZ Jazz can be very difficult to determine because it stretches from Ragtime waltzes to the fusion era of the 2000s. Although many attempts have been made to define jazz from the perspective of outside jazz, such as using European music history or African music, jazz critic Joachim Berendt argues that all such attempts are not satisfactory. One way to get around the problem is to define the definition of jazz "term" wider. Berendt defines jazz as a form of "art music which originated in the United States through the confrontation of blacks with European music", he argues that jazz differs from European music in that jazz has a "special relationship to time, defined as 'swing'", " a spontaneity and vitality of musical production in which improvisation plays a role ", and" sonority and manner expressions that mirror the individuality of jazz musicians do ". Travis Jackson has also proposed a broader definition of jazz is capable of covering all radically different eras: he states it is music that includes qualities such as "swinging", improvising, group interaction, developing an 'individual voice, and being' open 'to different musical possibilities Krin Gabbard claims that "jazz is a construct" or category that, while artificial, still is useful to designate "a number of musics with enough general to be understood as part of a coherent tradition". while jazz may be difficult to define, improvisation is clear one of the key elements. early blues are generally structured around a pattern of call-and-response is repeated, a common element in the African American oral tradition. A form of folk music which rose in part from work songs and field hollers Black rustic, early blues was also highly improvisational . these features are fundamental to the nature of jazz. the elements of European classical music interpretation, ornamentation and accompaniment are sometimes left to the discretion of the achievement, the ultimate goal is the player plays as written composition. In jazz, however, expert players will interpret a song with a very individual way, never playing the same composition exactly the same way twice. Depending on the mood of the players and personal experience, interactions with fellow musicians, or even members of the audience, a jazz musician / performer may alter melodies, harmonies or time signature at will. European classical music has been said to media composer. Jazz, however, is often characterized as the product of egalitarian creativity, interaction and collaboration, placing equal value on the contributions of composer and performer, 'agile weight [ing] the respective claims composer and improvisation. "In New Orleans and Dixieland jazz, performers took turns playing the melody, while others improvised countermelodies. With the era of swing, big band come to rely more on arranged music: arrangements either written or learned by ear and memorized - many early jazz performers can not read music. individual soloists would improvise within these arrangements. Later, in bebop the focus shifted towards small groups and minimal arrangements; melody (known as the "head") would be stated briefly at the start and end of the section, but the core of the performance will be a series of improvisations in the middle. Later styles of jazz such as the jazz capital of abandoning the idea of ​​strict chord progress, allowing the individual musicians to improvise even more freely within the context of a given scale or mode. avant-garde and free jazz idioms permit, even call, leaving the chords, scales, and rhythmic meters. has long been debates in the jazz community over the definition and boundaries of "jazz". Though change or transformation of jazz by new influences has often been criticized as originally debasement "," Andrew Gilbert found that jazz has the "ability to absorb and change influences "from diverse musical styles. while some fans of certain types of jazz argued for a narrow definition that excludes many types of music also known as" jazz, "jazz musicians themselves are often reluctant to define the music they play. Duke Ellington concluded by saying," This all the music. "Some critics have even suggested that the music Ellington was not jazz because it is set and adjust. On friends the other hand Ellington twenty solo Earl Hines's" transformative versions "of composition Ellington (on Earl Hines Plays Duke Ellington recorded in 1970) were described by Ben Ratliff, New York Times jazz critic, as "as a good example of the jazz process as anything out there." commercially oriented or popular music-influenced forms of jazz have both long been criticized, at least since the emergence of Bop. traditional jazz enthusiasts have dismissed Bop, the 1970's jazz [fusion era and much else] as a period of decline in the commercial value of music. According to Bruce Johnson, jazz music has always had tension "between jazz as a commercial music and an art form" notes Gilbert's. As the idea of ​​the canon of jazz is developing , the "achievements of the past" may become "... special privilege of creativity ... "and innovation of current artists Village Voice. jazz critic Gary Giddins argues that as the creation and dissemination of jazz increasingly institutionalized and dominated by major entertainment firms, jazz is facing" a. .. future dangerous honor and acceptance attracted "David Ake. warned that the creation of" norms "in jazz and the establishment of the jazz tradition" "may exclude or sideline other newer, avant-garde forms of jazz. Controversy also emerged over new forms of jazz contemporary created outside the United States and departs significantly from American styles in one view they are an important part of jazz's current development;. in others they are sometimes criticized as a rejection of the jazz tradition is important. origins of the word jazz is one one of the most sought the origin of the English word modern America. flowers intrinsic Kata's - American Dialect Society named it says Century Twenty - has resulted in considerable research, and its history is well documented. As described in more detail below, jazz began as a term West Coast slang around 1912, which means that varied but did not refer to music or sex. Jazz came to mean jazz music in Chicago around 1915. Jazz played in New Orleans prior to that time, but was not called jazz. said Jazz made one appearance The earliest in San Francisco baseball writing in 1913. "Jazz was introduced to San Francisco in 1913 by William (Spike) Slattery, sports editor of Call, and propagated by band-leader named Art Hickman was reached. Chicago by 1915 but was not heard of in New York until a year later. "One of the first known uses of the word jazz appeared on March 3, 1913, baseball article in the San Francisco Bulletin by ET" Scoop "Gleeson The origins of the word jazz is one of the most sought-after word origins in modern American English. Flowers intrinsic Kata's - American Dialect Society named it says Century Twenty - has resulted in considerable research, and its history is well documented. As described in more detail below, jazz began as a slang term for the West Coast around 1912, which means that varied but did not refer to to music or sex. Jazz came to mean jazz music in Chicago around 1915. Jazz played in New Orleans prior to that time, but was not called jazz. said Jazz made one of the earliest appearances in San Francisco baseball writing in 1913. "Jazz introduced to San Francisco in 1913 by William (Spike) Slattery, sports editor of Call, and propagated by a band-leader named Art Hickman was reached. Chicago by 1915 but was not heard of in New York until a year later. "One of the first known uses of the word jazz appeared on March 3, 1913, baseball article in the San Francisco Bulletin by ET" Scoop "Gleeson.